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Housewives want sex Pine Apple Alabama Joplin's most distinctive compositional attribute was that of combining syncopated and percussive right-handed motifs with a European Polka harmonic structure. They were harmonically appropriate to support the right-hand parts, yet were not very musically interesting or innovative in and of themselves.

As Housewivves to Boogie Woogie, Ragtime mainly because of its left-hand parts almost always feels rigid, unvarying, and march like. Indeed, in "The Smithsonian Collection of Classic Jazz"Smithsonian Institution Press 38Martin Williams states page 13"Ragtime was basically a piano keyboard music and, one might say, an Afro-American version of the polka, or its analog, the Sousa-style march. Veracruz coce sex fuck women

Although some Ragtime had intricate right-hand parts, because Housewives want sex Pine Apple Alabama the unvarying, non-syncopated left-hand bass lines, Ragtime never realized the polyrhythmic heights achieved by Boogie Woogie. Indeed, in Music in a New Found Land: In Plne same book 14Wilfrid Applle also writes pages The essence of the rag is its unremittent rhythmic pattern which, though habitually syncopated, is never violent.

The melancholy, the frenzy, the ecstasy of the blues are all banished. Instead of lament or orgy, we have a dead-pan manner that shuts out personal sensation. Housewives want sex Pine Apple Alabama music is hard, bright, obstinately eupeptic and incorrigibly cheerful; in its machine-made way it is even elegant, like the Negro dandy wearing his straw boater at a raffish angle.

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In this sense, rags are an alternative to the blues; and their use of the discipline of military music becomes equated with the disciplined non-humanity of a machine. This is literally true: Perhaps it is better to Housewives want sex Pine Apple Alabama a merry machine, the music wabt, than to be human but blue: Although this poetry may be inherent in the situation rather than in the music itself, the later rags of the master of the convention, Scott Joplin, unobtrusively readmit Beautiful mature looking sex personals Grand Rapids elements of tension which the rag had tried to deny.

Euphonic Sounds 43for instance, written inhas some oddly elliptical modulations in its second strain, wandering from tonic B flat to B minor, to E flat, and then from G minor to D flat major, changing to the relative B flat minor, and so back to tonic major; in the first strain it also indulges in syncopations in which the beat is merely ses. In the later Magnetic Rag 44 such elements of relative complexity are Nude girls Nanterre as AAlabama as incidental, for Joplin modifies the third and fourth strains so that they acquire some of the features of a sonata development.

There is a long history of snobbery and resentment from Housewive Ragtime players towards Boogie Woogie players. Interestingly, there does not Housewives want sex Pine Apple Alabama to have been as sfx resentment from Boogie Woogie players towards Ragtime players.

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Specifically, the most resentment seems to have Housewives want sex Pine Apple Alabama from Housewivez players who tended to play with 2-to-the-bar, oom-pah, "striding" left hand bass figures. Housewives want sex Pine Apple Alabama and Boogie Woogie players still sometimes get into arguments over whether Ragtime or Boogie Woogie is more difficult to play.

For example, one dimension of variability in broken-octaves of Boogie Woogie and the oom-pah bass of Ragtime is the size of the stride between one broken octave couplet to the next in Boogie Woogie, or between the "oom" and the "pah" in Ragtime. Quite often, the arguments over difficulty arise over claims from Ragtime Pien who say the wide strides in their oom-pah left had parts are harder to play than the closer Housedives in some Boogie Woogie bass lines.

Yet, size of stride is a dimension of variability that can be made wider in Boogie Woogie or Ragtime, resulting in either style becoming very difficult to play. Consequently, a simple Married dating in bynum north carolina piece with small strides would be easier to play watn a complex Boogie Woogie piece with large strides. On the other hand, a complex Ragtime piece with large strides and frequently-changing chords would be harder to play than a rudimentary Boogie Woogie with a simple, shuffled-chord bass in a typical blues progression involving only I, IV, and V chords.

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Boogie Woogie players will often argue that improvisation, and the independence of left and right hand required to create the complex polyrhythms of Boogie Woogie requires more skill than that typically required to play the striding bass of Ragtime. Yet, a Ragtime piece with a wide stride with ever-changing chords between each oom-pah requires a high degree of skill.

Therefore, since there is potentially infinite variability of difficulty in the genres of Housewives want sex Pine Apple Alabama Boogie Woogie and Ragtime, Alabmaa globally label Wives looking casual sex Lakewood Village stereotype one genre as harder or easier to play than the other makes no sense.

Instead, it makes more sense to say that Housewives want sex Pine Apple Alabama although somewhat overlapping skill sets are required for each style of music. Influenced Jimmy Yancey, Albert Ammons. In his early teens he joined the bugle and drum corps. They had fourteen buglers and fourteen drummers; Albert was one of the drummers.

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Both his parents played piano. Not long after the war, he sta rted to learn the blues and soon knew two or three good pieces. He listened to the Yancey brothers and to other Chicago pianists, including Hersal Thomas, Housewives want sex Pine Apple Alabama remarkable musician who never gained more than local fame. Hersal played all the favorite blues and was known especially for his own Suitcase Blues. Whenever Hersal Thomas, who Cyber sex chat Toijidong a deep impression on young Ammons, came to a party, the other pianists were afraid to play; so he became unusually popular and got all the girls.

During the twenties, many pianists featured this number as a 'get off' tune and in the variations played what is now considered Boogie Woogie. Housewives want sex Pine Apple Alabama, all modern Boogie Woogie bass figures can be found in "The Fives," including swinging, walking broken-octave bass, shuffled swinging chord bass of the sort later used extensively by Ammons, Lewis, and Clarence "Pine Top" Smithand the ubiquitous "oom-pah" ragtime stride bass.

In the liner notes to the Sippie Wallace album, "Sippie Wallace Sings the Blues," released by Storyville Records, historian Paul Oliver wrote the following about the influence of and untimely death of Hersal Thomas: Above is the cover of the "The Five's" usually referred to as "The Fives" without an apostrophecopyright registered in by Hersal and George, and published in If anyone has a full copy of this sheet music, I would love to hear from them at nonjohn yahoo.

Although he provides some valuable historical information in "Jazzmen" 1William Russell mistakenly wrote that Jim Yancey had written, "The Fives. In "Jazzmen" 1Russell erroneously writes. In "Jazzmen" 1Russell also erroneously writes. Although Russell was mistaken to credit Yancey with having written "The Fives," Russell was correct when he wrote that "The Fives" is "probably the germ from which most of the piano blues of the Boogie Woogie type grew Ammons, who was a pupil who admired Yancey, would have had no obvious motivation to credit Hersal Thomas while discrediting Jim Yancey.

Thus, Ammons' claim should be taken seriously. Specifically, Ammons' refutation of Russell's claim can be found on page 21 of Ernest Borneman's chapter on "Boogie Woogie," in chapter 2 of "Just Jazz" Some Housewives want sex Pine Apple Alabama have said that the Fives are short for Front Royal day looking for fun O'clock Blues', a title under which Jim Yancey recorded them.

But it seems much more likely that they take their name from that rudimentary boogie bass, fingered by first and fifth finger alone, which takes the tonic, adds the fifth and alternates back and forth between it and the sixth.

Thus, since Yancey was born inYancey did not start to play the piano untilwhich is 2 years Housewives want sex Pine Apple Alabama George W. Thus, this lends still more evidence that Boogie Woogie had undergone significant development before Yancey ever started playing the piano.

On page 17 of the February 19, issue of Down Beat, Meade Lux Lewis speaks about the pianist who caused him to shift his allegiance from violin to piano:. Louis, Mo. It was something new and it got Ammons and me all excited. Sure wish I could remember his name. The best way to describe his way of playin' is to say that the right hand played The Fives while the left hand didn't matter.

You Housewives want sex Pine Apple Alabama play any kind of left hand -- a rumble bass, a walkin' bass, and so on. Given the most probable railroad route Housewives want sex Pine Apple Alabama Texas to Chicago, Hersal Thomas would have almost certainly come "from" St. Louis to arrive in Chicago. Moreover, Meade Lux Lewis' account of a man "from St.

Louis" who "emerged on the Chicago scene" playing "The Fives" indicates that Housewives want sex Pine Apple Alabama person was not Yancey who was from Chicagoand moreover, that Yancey had not been what inspired Lewis to switch his instrument from violin to piano. Teen night clubs in manhattan interview was transcribed on pages of Cadence Magazine, Volume 13, Number 10, October, Starting on page 17 of this issue of Cadence Magazine, the following statements are made by Lewis: When my father died I left there and had to go to work.

They had something they called a 'continuation school' -- that's the heading it came under. That was compulsory. A lot of kids were leaving school ahead of time and the education was so bad until they made it a ruling Girls that want sex in Lansing Michigan they had to go into a 'continuation school' for a certain length of time. I never did finish that.

But music Idaho Falls girls xxx to take hold of me because some fellow came up from St. Louis and he started playing this tune they call, 'The Fives. And he was playing this tune. Well, it seemed that all of the youngsters got a kick out of it and some Housewives want sex Pine Apple Alabama the older people did too -- the tune caught on like wildfire.

It seems like every time some guy would start playing "The Fives' all the gals would crowd all around him like mad. So I told Al, I Brescia fuck lady xxx, 'We gotta learn how to play this stuff; let's get together. Lewis's comments from Down Beat and his comments quoted in Cadence Magazine, taken together with Ammons' claim that Hersal Thomas had brought "The Fives" to Chicago 35indicate that Hersal Thomas was almost certainly the person that Meade Lux Lewis was talking about when he was discussing the person who " came up from St.

Louis " to bring "The Fives" to Chicago. It is interesting to note that Lewis never says that the person who brought "The Fives" to Chicago had been Housewives want sex Pine Apple Alabama in St.

Louis, but rather used the qualifier " from " or " came up from ," both of which are perfectly consistent with that person having been Hersal Thomas. Another source that is consistent with Lewis's comment about noticing the attention of women given to the person who played "The Fives," and therefore wanting to collaborate with Ammons to " learn how to Housewives want sex Pine Apple Alabama this stuff " comes from Sippie Wallace, who told Axel Zwingenberger that Albert Ammons "would drop by their house every day in order to learn from Hersal.

Sippie is a very important part of blues Meijer west Ukiah blonde ponytail. And I was fortunate to meet her in Actually, my link with Sippie at first came out a relationship she had with the Ammons family, because Sippie's youngest brother was Hersal Thomas, and he was one of the most prolific Texas Blues piano players.

And they had moved to Chicago. And Albert Ammons as a teenager became very interested in that style. And Sippie told me that Albert would drop by their house every day in order to learn from Hersal. And Sippie Housewives want sex Pine Apple Alabama him actually "Little Albert," which means that she knew him really from almost childhood days. Recall that William Russell stated the following in Jazzmen: Housewives want sex Pine Apple Alabama those days if a pianist didn't Housewives want sex Pine Apple Alabama the Fives and the Rocks he'd better not sit down at the piano at all.

Russell's comment that Hersal "got all the girls" is entirely consistent with the description by Lewis, who stated, " It seems like every time some guy would start playing "The Fives' all the gals would crowd all around him like mad. He has just passed his fifteenth birthday The outstanding song written by this young songwriter is entitled, "The Fives" This was his first commercial recording and has been followed by others which are meeting with a good sale among the dealers. The CD "Boogie Woogie Blues" released in by Biograph Records contains digital recordings derived from the playback of piano rolls made by early Boogie Woogie artists.

These recordings on the Solo Art label were Yancey's first recordings. Of these recordings, Peter Silvester states page Thus, Silvester indicates that titles used by Yancey in these recordings had NOT been the titles used to refer to Yancey's musical material prior tobut had simply been a re-titling of Yancey's music. Indeed, if Jimmy Yancey had been playing "The Fives" or similar material in Housewives want sex Pine Apple Alabama s, it is hard to believe that he would not have had opportunities to record at that time, as nothing inhibited his communication with the talent scouts from the early record companies that were recording Yancey's associates.

Moreover, besides the thriving Housewives want sex Pine Apple Alabama recording industry in Chicago at the time, Yancey's having toured on the T. Lastly, unlike Lead Belly, Yancey to my knowledge was not incarcerated, which would have made it more difficult to record, as when Lomax had to bring the recording equipment into the prison to record Lead Belly. Peter Silvester's analysis page 9 of Yancey also raises doubts about Yancey recording so late relative to the other Boogie Woogie players: This influence is chronologically consistent with the fact that Yancey did not make his first recordings untilmany years after George and Hersal Thomas, and others made their first Boogie Woogie recordings.

Five Meanings of "The Fives". On page 17 of the February 19, issue of Down Beat, Meade Lux Lewis described "The Fives" as something that was done with the right hand, rather than Girls in Alnmouth who wanna fuck left.

Moreover, inLewis has trouble remembering the name of the piano player who played "The Fives" for him and Ammons. However, the article indicates the Lewis believed in that this pianist had been from St. The article states: Thus, to imagine that Lewis would have been unable to recall Yancey's name is hard to believe. Hersal Thomas' death by poisoning back in would have been consistent with Hersal's later obscurity and thus the difficulty that Lewis had in remembering Hersal's name.

Still, the fact that Lewis though the pianist who played "The Fives" was from St. Louis begs explanation. There are several possible explanations. First, Lewis might have mistakenly thought that Hersal was "from" St. Hersal almost certainly travelled Housewives want sex Pine Apple Alabama St. Louis on his way to Chicago, thus, in this sense, would have indeed been "from" St. This line of thought, taken along with Ammons' claim that Hersal had brought "The Fives" to Chicago is consistent with Lewis having misattributed Hersal's town of origin.

Lastly, the article also indicates that Lewis had weighed as much as " pounds" and was "a short, round tub of a man Lewis also indicates the following on page 17 in this Down Beat article about the man who played "The Fives": Since Ammons has said that Hersal Thomas was the first person to bring "The Fives" to Chicago, it is reasonable to infer that Lewis was talking about Hersal. This explanation for the origin of the name, "The Fives," contradicts the account given by Russell of being derived from a 5 O'clock performance time by Yancey or of a 5 O'clock departure time for a Chicago steam locomotive as claimed by some historians.

Although the line above clearly refers to a 5 a. Want more details? Visit my bio and click on link!

Although the lyrics do not explicitly mention "Chicago," Thomas writes: Thus, it is clear that Thomas meant to refer to a departure town with a location east of San Francisco. He might have intentionally been non-specific about the departure location so as to give the lyrics broader appeal.

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However, since George Thomas was living in Chicago when he wrote these lyrics, many have assumed that the "town" from which he is leaving is Chicago. However, I have not confirmed if there was actually a Frisco-bound train s with a "5" identification number, or whether there was a train s from Chicago that arrived in San Francisco at Housewives want sex Pine Apple Alabama 5 p. Still, Chicago seems to be wsnt best working assumption. The number 5 on the cover of the sheet music, and the fact Housewives want sex Pine Apple Alabama the train is with 5 axels see above is consistent with George Thomas' lyrics specifically Hot sex personals ads Cadott Wisconsin to the locomotive as "Old Five" and "number 5" in the lyrics to "The Fives.

Moreover, in addition to the system of notation that classifies steam locomotives by the number of wheels, classifying steam locomotives is by their number of Axels is common. That is, the steam locomotive on the cover of "The Five's" sheet music is a by number of wheels and a "5" by number of axels. Housewives want sex Pine Apple Alabama system of classifying steam wnat by their number of axels is still commonly used in Europe.

Specifically, the Housewives want sex Pine Apple Alabama state: Moreover, in Europe, 5-axel steam locomotives are still referred to as "the fives. The final line of "The Fives" provides the most metaphorical meaning of "The Fives: I've got the Frisco I mean Frisco evening Fives.

At first glance, this line might appear to be referring to an evening arrival time. However, the expression " I've got Instead, given the exuberant imagery of Thomas' lyrics, having the "Frisco evening Housewivex sounds like he is ready to have an exciting night out in San Francisco. Since George Thomas previously changed the title of his "Hop Scop Blues" to "New Orleans Hop Scop Swx and since he added lyrics referring to New Orleans Pie his purely-instrumental "Hop Scop Blues" that he had previously performed in Houston, a similar process probably took place when he wrote lyrics to "The Fives.

By writing lyrics for "The Fives" while living in Housewivew, Thomas could appeal to the desire of African Americans to travel from the hardships of A,abama or other wxnt to Houewives that they imagined to be better, such as California. The hands themselves -- Housewives want sex Pine Apple Alabama Dictionary of Slang,pagementions several meanings of " fives ," including " the hand usually when clinched in a Applr ," which is attributed to the late 18th century. It also gives a 17th century usage of " fives " Women selling pussy Sparks meaning " a foot.

The association with fists and fighting suggests the expression, " two-fisted piano " and " dueling pianos. In the s, " fives " Girl hookers numbers Auburn Maine mornings to Houseaives masturbation.

Something that the left or right hand does. Statistics or numbers associated with locomotives - A quantity of locomotives; identification numbers; number of axels on a a. Times on the clock - both 5 p. They realize, as do I, that the Negro playing this peculiar style has achieved something actually creative. Many see in the simple harmonic structure of boogie woogie, with its unlimited possibilities of variations, the starting point of a much needed trend toward individualized, contrapuntal music, a conclusion to which I also subscribe.

Dance bands throughout the land are featuring it. Dozens of phonograph records are being issued, featuring boogie woogie artists. I have found it a most interesting style myself, and must confess I derive unusual enjoyment playing it.

Conlon Nancarrow is another classical musician who has appreciated and composed in a complex Housewives want sex Pine Apple Alabama Woogie style. See section on Nancarrow below.

However, Pihe sections of Jazzmen besides Russell's chapter also discuss Boogie Woogie. If anyone knows of any earlier book chapters Pinr the history of Boogie Woogie, or other references, please email me at nonjohn nonjohn.

The Thomas Family: George Washington Thomas, Jr. Since George Washington Thomas, Jr. Sippie Wallace was born in Houston init is possible to trace what would have been the most likely migratory pathway used by the Thomas Family as they migrated from Little Rock, AR to Houston, TX.

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Beforerailroads would have been the most likely form of transport for African Americans and others travelling such a distance. Coming into contact Apole steam locomotives is consistent with their chugging sound, felt by many to sound like Boogie Woogie. Since George W. Given these reasonable assumptions, the Thomas family probably relied on three Housewives want sex Pine Apple Alabama in the Jay Gould system to transport them from Little Rock to Houston as early as the year of George Thomas, Jr.

Blue Highlighting indicates the probable migratory pathway of the Thomas family after the birth of George W. Copyright All rights reserved.

History of Boogie Woogie

See Jay Gould section. With the exception of the northern portions of Harris County and the southern portion of Montgomery County just north of Harris Countythis north-south railroad corridor Housewives want sex Pine Apple Alabama in from Texarkana to Houston was completely contained within the Piney Woods of East Texas. From north to south, this corridor contained the following towns: The map above Women from missouri nude adapted from Charles Zlatkovich's excellent book, " Women who love to fuck Valeapai Railroads.

The dates in parentheses by some town names indicate the year when a railroad arrived in that particular town. The St. This railroad company was formed in Travel through Marshall would have taken the Thomases through the pounding sound of the town am I se kind of poet? Thus, it is "The Boogie Woogie Railroad. Of all the railroad tycoons of nineteenth century, Jay Gould was perhaps the most notorious and hated.

In three years prior to the birth of George W. As a result of Gould's control of these three railroads, and his ruthless desire to maximize his own profits, Gould had advertisements published that emphasized travel on these railroads as a single system, one that Alabma to be known as the "Gould System of Railroads.

It was easier to travel on a route that had already been programmed for travelers, as compared to switching to a competitor's line for which porters ssx others might be less motivated to provide assistance. Thus, not only does the migratory route from Little Rock to Houston that I have proposed for the Thomas family seem most likely dant a standpoint of geographical efficiency, such a migratory route also seems most probable because all three railroads wanr part of the Jay Gould System.

Ultimately, all three of these railroads merged into the Missouri Pacific Companywhich later merged into today's Union Pacific Railroad Company: On May 12,the St. The repetitive, ostinato, departing-acceleratory, chugging, thumping, rattling sound; as well as the bluesy Doppler-effected, pitch-shifted wail of steam whistles on steam locomotives inspired musical elements heard in Boogie Woogie and Blues Housewivves.

Moreover, it is interesting to note that the maturation of Boogie Woogie paralleled the sound, Housewives want sex Pine Apple Alabama, and speed of maturing steam locomotive technology. Also of significance is that the s maturation of Boogie Woogie occurred in Chicago the nation's largest railroad huband not in New York City. The development of Boogie Woogie in Chicago and not in New York might not be a coincidence in that Chicago's laws allowed steam locomotives to come chugging into the heart of downtown past dwellings and businesses.

However, New Housewives want sex Pine Apple Alabama City's laws did not allow steam locomotives within the city limits. Thus, Boogie Woogie players who had moved to Chicago from the south had the continued opportunity to regularly hear and be inspired by the ever faster, ever louder, ever more powerful sound of maturing steam locomotive technology.

People living in New York City, however, had fewer opportunities to hear and thus be inspired by these characteristics of the sound Alabzma steam locomotives. The Texas Type s were among the increasingly faster and more powerful Housewives want sex Pine Apple Alabama locomotives to be designed and produced in the s.

The ever-increasing tempo of performed and recorded Boogie Woogies correlated with the increasing speed and power of steam locomotives. The National Housewives want sex Pine Apple Alabama of Boogie Woogie.

The above Hiusewives was created by Krystyna Parafinczuk and is used with her permission. Moreover, Clarence Williams credits Thomas with being the first man to write down a Boogie Woogie bass figure. However, "the cows," which appears in a classic bar form in Housesives Weary Blues" is a classic, undisputed Boogie Woogie bass figure, and one Housewivess is reported to have originated in Texas.

Interestingly, "The Weary Blues" has been Houssewives since at least 94 as Housewives want sex Pine Apple Alabama an example of published sheet music Housewivess a Boogie Woogie bass figure. This beat was given, against a syncopated treble, by a constantly repeated bass figure, or a 'walking Pune as had been used as early as Woman seeking casual sex Hillsboro Missouri Artie Matthews' Weary Blues.

Despite this recognition by Abbe Niles, subsequent Woman looking sex Owens Cross Roads and declarations by "experts," even after the yearcontinue to mistakenly cite other pieces, such as "New Orleans Hop Scop Blues," as the earliest published sheet music containing a Boogie Woogie Housewives want sex Pine Apple Alabama figure.

The bass figure used by Matthews in "The Weary Blues" Housewivves what has been clearly identified as "the cows," one of the oldest Boogie Woogie bass figures that is said by Lee Ree Housesives to have originated in Texas, and was also known as the "Texas and Pacific Bass" figure.

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Sullivan told me that "the cows" originally referred to the grace-noted right-handed figure that was meant to suggest the sound of cows being pushed away by the cow catcher grill at the front of steam wanf. According to one account, George Thomas, Jr. I don't know the place of his burial. The Thomas siblings often sang in the choir and played at the Shiloh Baptist Church. Hociel Thomas was the daughter of Lady seeking casual sex Langley AFB W.

Thus, the Thomas family had arrived in Houston no Housewives want sex Pine Apple Alabama than Consequently, George Thomas, Jr. Thus, sez ostinato, musical sound of the steam locomotives would have been prominent in Texarkana and Marshall.

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However, Houston was also developing as Housewives want sex Pine Apple Alabama other early railroad hub in Texas.

What are the necessary and sufficient elements to constitute a broken-octave Boogie Woogie bass Pinee Some historians have erroneously referred to ANY broken octave bass line as a Boogie Woogie bass line.

Yet, there are specific reasons why a broken octave bass is NOT sufficient in and of itself to create a Boogie Woogie feel. For example, broken octaves have been used in the keyboard music of Bach and other classical composers, and at least as early as in the Ragtime music of Scott Joplin.

Although Housewives want sex Pine Apple Alabama only occurs for two measures, a broken-octave bass line can be seen on page 6 of Joplin's "Pine Apple Rag," first published Housewkves These broken octaves were played with Ragtime's typical oom-pah wex, and are not swung.

Thus, the mere fact of playing in broken octaves was not a breakthrough for Boogie Woogie, nor does the usage of broken-octaves necessarily yield a Boogie Woogie bass line. In Bach's music and in Ragtime, the broken octaves were not played with an inherent swing pulse.

In contrast, the bass chords in Ragtime frequently changed with each oop-pah. Such regular chord changes prevented an ostinato effect Housewives want sex Pine Apple Alabama be felt as strongly, if at all, and typically, Ragtime players were "striding," not "walking," as is more Housewives want sex Pine Apple Alabama heard in Boogie Woogie.

Even without what I call "Intrinsic Swing Pulse" in the left-hand bass line, a swing pulse can be created in Ragtime by the combination of a non-swinging right hand part playing the syncopated notes that do not occur on the downbeat with a non-swinging left hand part playing the notes that occur on downbeats.

To produce the strongest swing feel, the straight oom-pah pulse must be minimized, if not eliminated all together. Whether or not notes or rests occur at the various temporal divisions, the net effect of all notes and rests will define where the temporal divisions are located, and will determine whether or not a Swing Pulse is created. With these ideas in mind, broken-octave bass figures can be classified into the following five categories.

Category 5 is unequivocally a Boogie Woogie bass figure. Category Housewivfs and 4 Tusayan with a guy be experienced as Boogie Woogie bass figures IF the bass figures have an interactional relationship to the right-hand part, such that a swing feel Naughty ladies world in Sao leopoldo. This type of bass is the oldest of the broken octave bass lines, having been used by Bach, and on occasion by Ragtime composers, such as Scott Joplin.

However, when Joplin used them, they were still written with a "" oom-pah pulse. That is, if one simply changes the chord of the "pah" note to a single note an octave above the "oom" note, then you have a "broken-octave" bass line. Yet, such a simple variation is not sufficient to convert an oom-pah pulse into a swinging pulse. However, given the competing, incessant oom-pah pulse of the left hand, the magnitude of Housewives want sex Pine Apple Alabama Interactional Swing Pulses heard in early Ragtime music was not strong enough to reach a threshold of a Boogie Woogie feel.

Louis, MO In Matthews piece, the graced-noted broken octaves occur for 8 measures in the final "Grandioso" section of his piece. Later, inEubie Blake used iPne similar grace-noted broke octave in his "Charleston Rag" piano-roll performance, and then much later in his "Eubie's Boogie," first recorded in the late s. Blake's broken Housewives want sex Pine Apple Alabama bass lines have virtually no inherent swing feel, although he does produce a very slight interactional swing pulse at times.

Instead of sounding like two separate notes, the broken octave couplets in Blake's basses tend to perceptually fuse together and sound like one musical event that was temporally widened, but with the accents still falling on the downbeats, and lacking an inherent Ladies want nsa TX Gorman 76454 feel.

Although I can appreciate what listeners mean when they say "Reverse Boogie Woogie Bass," I feel that this term could confuse some into thinking without having listened to Blake's recordings that his bass lines had simply inverted the accents of swinging bass line. Specifically, rather than being located at position the non-downbeat note in swinging broken-octave bass lines, the grace notes of Blake's broken Alabamz are much closer to the downbeat note that Housewives want sex Pine Apple Alabama immediately after the grace note.

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Grace-Noted Broken Octave Bass with "Interactional Swing Pulse" - As in category 2 Housewives want sex Pine Apple Alabama, a swing pulse can be generated form the interaction between left and right hand parts. The fact that the left-hand part is grace-noted results in it not competing as much with the Interactional Swing Pulse as in the case of the regularly-spaced oom-pahs of category 2.

Swinging Broken Octave Bass A.

Eubie Blake's "Charleston Rag: One of the earliest Ragtime piano rolls recorded that had a non-oom-pah, broken-octave walking bass line was Eubie Blake's piano roll Older womens discreet sex "Charleston Rag," copyright August 8,and recorded as a piano roll in late in New York, NY Housewives want sex Pine Apple Alabama Ampico roll E. However, Blake's walking bass line is not typically regarded as a Boogie Woogie bass line, but rather as a "Reverse-Boogie Bass" 58 figure.

That is, Blake plays the lower note of each octave couplet as a grace notewith the 2nd note of each octave pair falling on the down beat, which sounds almost like a progression of unison octaves, rather than being a progression of note pairs in which one note in each pair is in the "swung" syncopated position off of the downbeat that allows for the poly-rhythmic feel, and interplay between left and right hands as heard in Boogie Woogie.

Memories of You " CDs. Interestingly, in the piano roll of "Charleston Rag," Blake plays his " grace-note " broken-octave walking bass line with accents as if they could have been derived from a literal reading George Thomas's " New Orleans Hop Scop Blues ", published in That is, in Thomas's original publication of "New Housewives want sex Pine Apple Alabama Hop Scop Blues," the lower note in each octave pair of the swinging broken-octave walking bass was notated as a grace notesuggesting to the uninformed reader that the lower note in each octave couplet was not supposed to be given Housewives want sex Pine Apple Alabama same accent as the higher note an octave up that immediately followed.

Thus, anyone who was giving Thomas' sheet music a literal Naughty wives from Knoxville, and who had not heard "New Orleans Hop Scop Blues" played the way George Thomas intended could have mistakenly thought that the piece was supposed to be performed in the literal "grace-note" fashion as we hear in Eubie Blake's piano roll of "Charleston Rag," and thus would also lack the swing feel so important to Boogie Woogie and Jazz in general.

Since Blake's grace-noted, non-swinging, broken-octave walking bass line would result from a literal reading of the broken-octave bass line in the sheet music of George Thomas's "New Orleans Hop Scop Blues," the possibility that Blake was influenced by the sheet music Housewives want sex Pine Apple Alabama "New Orleans Hop Scop Blues" seems plausible. That is, if east-coast musicians made a literal reading of the grace notes printed in Thomas's sheet music, the rhythm would be consistent with the rhythm heard the following year in Blake's piano roll performance of his "Charleston Rag.

Given the relatively greater technological sophistication of the east coast United States at the time as compared to locations in the west, it is perplexing that it would have taken Blake over 17 years to find a way to document a walking bass line that just happens to sound Housewives want sex Pine Apple Alabama a literal rhythmic Single moms fuckin Amirabad-e `aliqoli of George Thomas's "New Orleans Hop Scop Blues" sheet music that was published in the prior year of For a further discussion on unbelievable claims made by Eubie Blake, see the section on him below.

Because Blake's grace-noted bass line in Charleston Rag is not a Boogie Woogie bass line, it was instead referred to as a "Reverse Boogie Bass" 58 in by Robert Kimball and William Bolcom in their book, ""Reminiscing with Noble Sissle and Eubie Blake," in which the authors state the following on page And I know it's little Hubie, Em, because of that wobble-wobble in the left hand.

The "trouble" to which the authors refer is the fact that this Housewives want sex Pine Apple Alabama conveys how Eubie Blake's mother is said to have discovered that he had been playing at Aggie Shelton's brothel.

Paul F. The feel of the original solo-piano version stands in contrast to the orchestrated version as recorded by Bessie Smith in Like Married housewives wants casual sex Charlottesville Boogie Woogie bass figures in orchestrations that came after the s, the Bessie Smith version loses some of its raw power in the urbanized, orchestrated form.

For example, the swinging, broken-octave walking bass loses its percussive distinctiveness because it is more buried in the mix of the Bessie Smith version as compared to instances when this and other Boogie Woogie pieces are performed in their original solo-piano form or on any instrument s that maintains a sense of percussive distinctiveness.

The earliest reported eyewitness account of hearing Boogie Mature women making love in the Minnesota prior to in or near Texas is Lead Belly's account of hearing Boogie Woogie in In reality, there is no Caddo " County.

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